This week, unfortunately, I stumbled across a recipe for scones in the New York Times. I don’t know how I could have gotten to the ripe old age of fifty-hand-over-mouth-mumble without knowing how ridiculously easy scones are to make. And now that I’ve lost the illusion of them as something only English people (who seem ever so much more clever than we) can whip up, Lord help me. And you, if you’ve clicked on the link above. Curse you, Susan Guerrero!
Today I made two batches, telling myself that I would share them with others; when Jimmie eschewed a hot fresh scone for a Thomas’ English Muffin this morning, I knew I was really in the danger zone.
And yet, that wasn’t the first good idea I had this week. Yesterday, at the end of the work week, Jimmie and I scootered over to the park for a half hour, happening upon a flash-mob of toddlers all under 3 playing with their parents in a postage stamp of green grass in the center of the park. It was adorable. A diverse group of parents, from the nearly neglectful rockers languishing on a bench as their tow-haired two-year-old dashed madly around the grass, to the maniacally kiss-crazy mom chasing behind her son chortling, “Good job, Joey!” every two seconds. It seemed to be the only thing she could come up with to say, but her adoring offspring suffered her kisses with a delighted smile, giggling into the falling tendrils of his mother’s hair. Meanwhile, his father stood nearby waiting for the two of them to notice he was there. A pair of doting grandparents sat on a bench reading, watching their late twenties daughter tossed a ball with her Boden-clad daughter, sparking the question, “Who wears a skirt to the park to play?” Such a mean-girls thought seemed inhospitable in the midst of “the children’s hour.”
There must have been 13 under-threes in the group. I wondered whether they were a club. They all seemed to know each other, and there were companionable grownup chats happening around the perimeter of the grass at benches such as ours. It was only when I saw a caravan of strollers forming, winding away from us toward the playground area that I remembered seeing the film crew breaking down their setup as we’d entered the park. I noted that the yellow caution tape had been removed from the perimeter of the playground. So, yes, they did know each other because they all shared the same playground at the same time of day. Mystery solved.
Jimmie and I remained in companionable togetherness on our bench, chatting about an idea for a play I’d just had. I hasten to add that this idea comes from the same hare-brained place that the idea to make three batches of scones in as many days comes from, but here it is.
Spin-Cycle: The play takes place in two acts featuring the early morning denizens of a gym to the rumpled, linty late night hijinks of a laundromat. Producers, don’t despair! You could utilize the same cast members, because god knows the morning people make dirty clothes apace. Tag line: What goes around comes around.
Brilliant, right? No, Els, it is not.
These are the idle meanderings of someone whose brain is task-saturated. And that’s my home life. Last week, Jimmie and I careened from doctor’s office to doctor’s office to lab to X-Ray, in preparation for his procedure next Thursday, the same day Brett Kavanaugh most likely becomes the next member of the Supreme Court. Despite that inauspicious coincidence, I have no reason to believe our procedure won’t go well and Jimmie will thrive afterwards. But I’ve become dizzy with details for managing his pain and prep. Simple screwups like the fact that it turns out I’d been overdosing him with Motrin for several weeks.
And so, I’m baking. Never a good sign; since I do spend so much time “researching my first play” at the gym, baking is a self-sabotaging act of dietary regression, and I can see it’s resulting bulges through my sweaty togs. On the other hand, I rediscovered the fascination of cooking good food as well, when Jimmie’s great niece, Niki, came through last weekend, demonstrating the beauty of well-cooked greens and delicately grilled cumin-flavored potatoes with swordfish. This morning I cut the beet greens off the beets I’d bought and made a lovely chopped beet and onion sauté to go with my brown rice and scrambled egg breakfast. Which I promptly followed with a maple walnut scone chaser. Slathered in Earth Balance…
So hit me up if you want a tin of scones or some good play ideas. I clearly have plenty of both.
One of the best things about living downtown is easy access to cultural events. This weekend, that included attending a pop-up art installation at the Standard Hotel at 6th and Flower in DTLA.
British craft artist Lucy Sparrow has spent a year in her “Felt Cave” back in Essex, England along with her staff of five, building the 31,000 felt grocery items that adorn the felt shelves in the second story Sparrow Mart.
Getting into the exhibit required a bit of patience. When my friend Rob and I arrived, there was a short line wrapped outside near the parking lot for the Hotel. It was warm, but we were in the shade most of the time, and the hotel provided bright yellow umbrellas in a stand near the door for those moments when you found yourself between the dappled leaves of the patio’s trees
Once inside the Hotel lobby, we approached a stand where we made our actual appointment. We arrived at 2:30, but learned that our appointment would be for 5:00pm. Groan, vocal incredulity. We Angelenos are an impatient tribe. Not being a DTLA Hipster, I rarely frequent the Standard Hotel lobby, but nevertheless enjoyed the next few hours catching up with Rob while sipping iced tea and eating a moon pie from the Sparrow Food bar, where you can buy tasty treats and also take home the felt version of them as well. Surrounded by the lobby’s burled wooden walls, and hot pink lounge furniture made the time pass easily, with music by a DJ who played LPs appealing to the over 50 and under 25 sets. Quite a feat.
At our appointed time, we ascended the escalator, and gathered outside the storefront of the Sparrow Mart for brief instructions. Soon, we were inside with a red basket hooked over my arm, looking at an impressive array of animated vegetables, pineapples, cucumbers and peppers, each sporting laughing black eyes. To the right a fish case, filled with shrimp, mussels, salmon fillets, and lobsters. Next to it, a display of liquor bottles leaning drunkenly against each other.
Adjacent to the alcohol, a full case of sushi, dozens of individually stitched hand rolls. The level of detail is mind boggling. And so colorful!
This art installation allows for all of the objects in the store to be purchased. The Sushi pieces are about the most affordable at $10 per piece, but all of the objects in the store are hand painted and all are signed by the artist. So expensive relative to the represented item, but cheap as far as an original art purchase goes.The prices may not be affordable for everyone, but the experience of seeing the objects and enjoying them is completely accessible and charming. These were some of my favorite items.
The atmosphere in the store was festive and celebratory as shoppers moved about the aisles cooing at the brightly colored American items. That is one of the things that impressed me about the different projects of Lucy Sparrow. She made an effort to identify and build items appropriate to the locality of the exhibit.
The various cases around the store were cunning, but the meat counter was particularly detailed.
And should you not have enough cash on hand, there’s even a felt ATM you can admire if not access.
She’s even got the grab-and-go food market covered, with individual pizza slices, and sodas in a case covered in felt, and pretzels. There’s a candy area, complete with gum and chocolate, a cigarette area, and an entire aisle full of over-the-counter medicines. She’s got it all.
Rob and I each selected about three items, and when we went to buy them at the back of the store, I looked down at the hands of the woman who was wrapping my purchases, reading FELT LIFE across her knuckles, and I gasped.
You’re Lucy, the Artist! This is so amazing!
She beamed. Not surprisingly, just as she is in the video, she is friendly and engaged with her audience and I was gratified to have a brief face-to-face moment with her while she wrapped my purchases in black and white checkered paper, then red outer paper wrap with a Sparrow sticker. Here’s a great interview I found online about her work.
As far as diversions go, the Sparrow Mart is high on my list. Definitely worth the wait. Take someone you need to catch up with. Probably go during the weekdays rather than on Sunday afternoon as we did. But it’s a must see. There until August 31st at the Standard Hotel, 550 S. Flower St., Los Angeles, CA.
Recently, Jimmie and I had dinner out at our favorite CPK downtown at 7th and Fig. We are fixtures there, having had a long habit of going there for “strike pizza” after the closing of shows at USC. I’d finish the strike, jump in the car and pick up Jimmie to head out for pizza on a Sunday night. We are highly ritualistic people, and this was one of our favorite outings. The last time we were there, we were greeted at our table by a former student, who told us that she had been working at an Escape Room in downtown LA.
We laughed about the coincidence that two recent graduates from the School of Dramatic Arts had gone into E.R. work, and yet they hadn’t know each other while at USC. I guess it’s to be expected that theatre designers/scenic painters/costumers would find this kind of work engaging and profitable. And that they would have success in it.
My 91 year old husband has developed an affinity for E.R.s this week. You won’t find our favorite E.R. on any list of Immersive Escape Rooms. It’s the E.R. at Good Samaritan, in downtown LA, where we are now on a first name basis with much of the staff. For the record, I’d rank it as very difficult, but so far with a 100% survival rate.
We come in, fill out the paperwork and have a brief wait in the lobby. When we arrived Tuesday night, our first visit this week, the lobby was surprisingly empty, and we were swept in with the speed of a couple with reservations at WP24.
The thing about E.R.s is that they are pretty easy to get into. When you are 91 with a plumbing issue, you rise straight to the top, like the cream on the frosty bottle of whole milk in the milk box.
(Some rurally raised Boomers will get that reference. For the millennials, one used to have milk delivered to your home (even as late as the early 1970s) where they left it in an insulated square box sitting outside your door in the early dewy mornings before school.)
But, as usual, I digress.
Tuesday night, we went in to the Good Sam Escape Room at 6:30pm, and we walked out at 9:30pm, new plumbing features in tact. Our “plumber” had just finished his day of surgeries and is such a wonderful man that he dropped in to assist with the necessary fittings which the competent but overwhelmed nurses were unable to install. Good thing he came along when he did. It was uncomfortable, God-and-anyone-within-range-of-Room-6-knows, but he got the job done and we were home by the 10 o’clock news.
Full Disclosure: I’ve never been to an actual Immersive Escape Room, but found this helpful video on the site of our former student, Madison Rhoades’ Cross Roads Escape Games to get educated about them.
Here are some parallels and differences between Maddy’s carefully curated experience and Good Sam’s (GS):
We enter as a team. Unlike the Hex Room experience, we weren’t separated at any time, except when the plumber insisted I leave the room. And that was okay with me.
You’re isolated in a room and left to your own devices. (CR and GS)
Unlike the Hex Room, there are no magic buttons to push to get a clue about how to get out, and seemingly no puzzles you can do to advance in the line for service. Tuesday night I read the Sunday NY Times Magazine article about Gwyneth Paltrow’s “GOOP” Empire. Friday night, I did two crossword puzzles. No Exit.
It’s a triage system at GS, and judging from Friday night’s line up, we were definitely not high on the priority list. (which, of course, is both good news and bad news). Last night, Nurse Tim resolved our issue quickly, and then left us to languish for about five hours while they dealt with two coronary attacks and a stroke.
At GS, they have players who are helpful and encouraging in furthering your attempts to get out. Last night, Friday, when we returned to play again at 8:40pm, a woman dressed as a kindly nurse’s aid ushered us back into Room 6.
Aide: I just made up this room, knowing that Mr. Nolan would be back in tonight! (cooing) And who are you?
Els: (flatly) I’m his wife.
Aide: Oooh! What a beautiful wife you have Mr. Nolan. (Leaning in conspiratorially, whispers) You take good care of your beautiful wife! (She exits. Jimmie turns to me)
Jimmie: What did she say?
Els: (loudly) She said, You better take good care of your BW! Hey, how did she know our pet name?
In spite of the flattery and kindness of the support players, Jimmie became impatient more than once. I now know that I would be a terrible participant in an actual immersive Escape Room situation. When abandoned in the ER, I become placid and accepting. Over the years, I’ve learned that there’s nothing I can do by having a tantrum that can’t better be done by excessive groveling whenever the support staff enters the room. So our door remained closed, and Jimmie shivered under his sheet for three of those five hours of captivity before I got up my courage to emerge and request a blanket.
Later, I joked with Jimmie that there was a door right behind where I was sitting that opened into the main hallway. Why didn’t we just leave?
Jimmie’s eyes brightened, and he gathered himself to stand up.
Els: No! That would be like running out on your restaurant check. We have to wait until they walk in with the paperwork to sign and then we’ll know you’ve been discharged.
Hours later, I turned to Jimmie and made like we should leave through that door.
Jimmi: No, Els! (patronizing, instructive tone) Don’t you know, we have to wait to be discharged!
Hours later, well after midnight, the beleaguered doctor came in, apologizing for their seeming neglect. We quickly updated her on the successful features of our visit, with strong hints that we should be going home soon. She agreed, and told Jimmie he could get dressed again. That’s when I took the this picture.
Still, it took another thirty minutes for Nurse Tim’s return with the necessary paper to sign. He then turned, slid the bed to the wall, and at 1:30AM, opened the tantalizing door to the outside hall.
It will be much easier for you to go out this way. There’s a lot going on the other direction.
I think I will advocate the Cross Roads Escape Games next time Jimmie gets bored.
Last November, my gym of 3 years standing folded. Days before Thanksgiving, without any warning, all of the inhabitants of that (insert old gym’s name here) community were rather unceremoniously kicked to the curb. I walked by the still-empty storefront the other day, and rather than feeling the familiar ire about the situation, I felt the curiosity of potential for that space. But those thoughts drifted away like the soft whispy clouds of a late summer’s afternoon as soon as I had walked past.
Transitions are hard. Change is hard. Change is good. Transitions are good.
Working out has become as important to my sustainability as, well, breathing. Dropping my five workouts a week because my gym closed, wasn’t an option. I rely on the cardio workout to reset my brain, my psyche, my attitude. If I go for several days without working out, I find myself grumpier, more prone to look at the dark side of things, just not as even keeled as my life requires that I be.
As a result of having lost my workout home, I began exploring other options. I investigated Pilates, SpeedPlay, Sync Yoga and Spin, and eventually accepted an invitation from one of my favorite sweat-sisters, Allyzon, to try out her new spot, Sanctuary Fitness. Their logo is Peace through perspiration. Couldn’t have said it better.
There were a lot of reasons I shouldn’t like it. My old gym had been right around the corner, about 200 steps from my bed. I had to get in my car to get to this new gym, but of course, at 5:30, there’s not a lot of traffic. I had to feed the meter, but that proved to not be too big an impediment. And after a few mornings of the new ritual, it became comfortable.
I love the physical plant of Sanctuary Fitness. There is a spacious foyer with friendly folks personning the front desk. They give you towels to use, though for some reason I still bring my graying (insert old gym’s name here) towels to sweat into. It’s a little Linus-like, I suppose, my last link to familiarity.
And sure enough, most likely due to the power of my sister in sweat, Allyzon, I noticed familiar faces from (insert old gym’s name here) showing up. The bikes are better. There are weights, and sometimes elastic bands to work the upper body while you are riding. The bike shows metrics with average watts, rpms, calories, miles, etc. It’s accountability at it’s best. And by the time I get home to make a second cup of tea, I have the results waiting for me in an email.
In addition to spin, they have High Intensity Interval Training (HIIT) classes, which I sprinkle twice throughout the week just to remind me that I’m twice as old as almost everyone in the class but my body still works (more or less). The instructors are encouraging, as in encouraging us all away from the comfort of our beds, our comfort zones, our patterns.
For me, fitness is my sanctuary. I’m in much better shape now than I was in my forties, or possibly my thirties. The ritual of getting up, going to the gym, making some time for me, seeing my friends every morning (because I now go 7 days a week, btw), is critical to my hanging in there for another day of whatever life brings me. I appreciate this need for ritual because many of the other things that are ritualized for me are not as personally satisfying and a little more grueling than the forty-five minutes of sweat equity I get at Sanctuary.
So thank you to all the trainers, Allyzon T., Brandon H., Kevin, Reed, and all my workout buddies for the Sanctuary respite that I need and for kicking my butt.
Some people measure years and personal growth with penciled marks on a closet wall next to their child’s name. As the child grows, the marks rise, sometimes inches above the last mark, especially during adolescent growth spurts. This sizing of our tribe is proud, grateful, sentimental, self-referential, celebratory – many of the things that mark our humanness.
As Angelenos were painfully reminded just this morning, the passing of time can also be marked through shared loss, as we read about the untimely passing of Pulitzer-Prize-winning LA Restaurant critic Jonathan Gold, who’s LA Times obituary was one of the most moving I’ve read in some time (Kudos to Andrea Chang). Gold, in addition to being an exquisite writer, was a gourmand, chef, taco-truck aficionado, friend, husband, organizer, someone who celebrated the value of food in building his community and ours. In fact, several of the local annual foodie events that happen in Los Angeles came about because of him.
This building community is a feature that I’ve always appreciated about the theatre. This week, I attended The Humans, Stephen Karam’s breathtaking (and Tony Award winning) paean to our humanness.
Those of you who are diligent followers of my blog (a handful, but nevertheless profoundly appreciated) may remember that I had seen The Humans in New York a little more than two years ago. It was an emotionally draining experience, not just because of the power of the play, but really, because of the physicality of the journey itself, and the resulting realization our connubial theatre attendance was moribund; that was painful and distracting. And with that inviting introduction, if you want to, you can read about it here.
So about a week ago, when I ran into my friend Rob at Ralph’s in the dairy section, I agreed reluctantly to attend a performance of The Humans last Tuesday at The Ahmanson, where the touring production is playing (only this week, so don’t miss it!).
We agreed to meet there, and on Tuesday evening, I caught up with him at the box office window, watching as he worked to negotiate seats together (after booking them separately). Somehow he managed to pull it off, and we entered the lobby of the Ahmanson, immediately accosted by an enthusiastic subscription saleswoman. I made the eye connection, so my bad. Rob headed off to the bar to get us some cool drinks, while I tried to figure out how to get Dear Evan Hansen tickets without mortgaging our condo. Done and done.
Viewing The Humans for a second time with none of the logistical myopia caused by getting my butt in the seat was eye-opening. I grew up in southwestern Pennsylvania. However, my maternal grandparents lived in Wilkes-Barre, and we spent many happy trips there while we were growing up. Reed Birney (Erik Blake), bears an uncanny resemblance to my dearly departed Uncle Lou (at least from Row E of the Ahmanson Theatre’s mezzanine), so much of the Thanksgiving gathering and the feedback felt appropriately familial. Like those self-referential closet wall markings, we take in theatre experiences from where we stand. Two years ago, perhaps I related more to the character of Brigid (Sarah Steele), hearing and responding to her parents’ critique of her marital status, her new apartment, her life choices. It’s also possible (and quite likely) that I didn’t adequately hear the play, so wrapped up was I in the emotional reckoning I was having in the balcony of the Helen Hayes theatre, with my husband of thirty plus years.
Two years down the pike, last Tuesday, the play ran through a different emotional filter, as I focussed keenly on the character of Momo, played by Lauren Klein, and the effect her caregiving had on her son and wife, played with stoic durability by Reed Birney and Jayne Houdyshell. Lately, I frequently find myself mentally marinating in the role of caregiver, caretaker, whatever one calls it. This isn’t the moment to expound, but suffice it to say, any caregiver who cares for a loved one also takes pleasure and privilege from the work, hence my confusion in the use of the terminology.
KL: What was your impulse behind writing The Humans?
SK: I was thinking a lot about the things that were keeping me up at night and that got me thinking about existential human fears: fear of poverty, sickness, losing th e love of someone…Was there a way to actually tell a story that might elicit some of those fears – or provide some thrills- while also talking about how human beings cope with them? And by the time I was done, I had written a family play, or, as I think of it now, a family thriller.
From an interview by Seattle Rep Literary Director Kristin Leahey, Ph.D, and Playwright Stephen Karam (Original transcription by Annika Bennett)
But I digress. Theatre is prismatic. It accords us the opportunity to revisit even the same play over and over again, learning new things about ourselves and our community from the facets of our experiences. That is why a play like The Humans appeals to so many different types of people. It has the ability to mirror back to us that which we project.
Rob and I drove back down to South Park after the show, and a day later, Rob reported that he’d lost his wallet at the theatre. After multiple trips to the theatre, dealing with kindly Christine, the house manager, and searching the areas under our seats, he discovered a slot under the row where he posits his wallet might have fallen into a mysterious pocket, probably unretrievable. Somehow, this seemed a fitting end for a lost wallet at The Humans. We searched my car again to make sure his dreaded trip to the DMV was required. This morning, when I got in the car to go to the gym, I discovered I’d left the overhead lights on from our search, and felt grateful when my car started up.
My re-visit to The Humans managed to remind me about all of the things that make our shared experiences powerfully human, and I’d go so far as to say to remind me why I am so grateful to be alive and living in Los Angeles. I’d encourage you to make a visit to see The Humans while you can to discover what experience you find reflected back at you. Then, by all means, let me know!
Sometimes there’s a synchronicity in things that borders on breathtaking. This week it’s about batteries.
Your alta fit bit battery is low.
Your internet isn’t functioning (four calls and a trip to Staples to buy a new Uninterrupted Power Supply when the old one was fine) only to discover it was indeed the modem. A trip to the Beverly Center where you discover there is no Spectrum Store. A glance out the window indicates that it is at the Beverly Connection, which to the Spectrum technician on the phone was the same thing, I guess. After 15 minutes there, I finally noticed the board where our names were listed in order of being helped. I was #22. I plugged in my earbuds and waited, doing some people-watching.
Jimmie’s scooter battery dies while his niece Stella is visiting and they are in the park necessitating a full tilt push of the device back to the apartment. (I’ve been there before – humiliating, ridiculous, a test of the humanity of others.) God love Stella. When I returned, I found them at home drinking Starbucks beverages, so she pushed him to Starbucks and then home, something that I wouldn’t ever have done.
Anyway, you can see the theme here. Recharging batteries.
Summer is about recharging our batteries. The days at work are shorter in the summertime, and there are fewer interruptions, allowing us to organize the puzzle that is the following academic year’s season.
More time for visits from family and friends. More time to give back. This summer I’ve started recording interviews with some of the West Coast stage manager notables, for the Stage Manager’s Association “Standing in the Dark” series of podcasts. Selfishly, this allows me time with friends and mentors like Jimmie McDermott, and Mary K Klinger.
More time for following our grandbaby’s exploits on the Insta feed.
We had a captivating visit with Stella followed by one from Jen and S. Extraordinary people and we are so lucky to have them in our lives. On the last day, S found a green worm on its way to our tomato pot on the balcony, and brought it inside, where it writhed and danced on her tiny finger like a tiny green belly dancer before finding sanctuary on a full leaf of Romaine lettuce where she proceeded to eat several large holes in the leaf, in a perfectly round shape.
More time for reading the Sunday paper, especially when your internet modem dies a horrible death. More time to discover to your infinite pleasure that Jonathan Franzen doesn’t seem to give a whit about social media and adores birding. I knew I felt a kinship to him.
More time for finding and using the sweat glands, more time for explosive step ups in HIIT class, and more time for fitbit Workweek Challenges posed by former students. I’m coming for you, Ashley S!
More time for reading. I just finished reading Todd Purdum’s book, Something Wonderful, Rodgers and Hammerstein’s Broadway Revolution, a beautifully researched and entertaining dive into the history of American Musical Theatre, a subject high on my radar of late. Apparently high on other peoples’ reading lists as well, as this photo and Guardian article revealed. But enough of that. I’m recharging my batteries. No perp walk for me. I told my husband as I got about half-way through the book,
Lucky you! I’m going to sing all the lyrics I encounter.
Which turned into one of the sweetest pastimes we’ve had. Out of the murky depths of our long fused, long term memory banks came the swells of the live theatrical shows of his youth and mostly televised shows from mine. Granted we sounded a little closer to Archie and Edith on the piano bench than Shirley Jones and Gordon MacRae, but nevertheless, it was lovely. We beamed at each other.
Summer brings the crunchy, sweet wholesomeness of cherries, watermelon, lighter evenings and the prospect of summer vacation on the horizon. A week of unscheduled recreation with family. Time to attend book signings by friends, and to go to the movies.
Recently, my cousin Connie sent me an envelope stuffed with photographs, the one above included, as she had recently done a “big purge.” I so appreciated reviving the memories, with photos of my nuclear family at points along our development. It seemed appropriate to focus this week on my Dad, who remains the anchor to our diminishing nuclear family.
I never write about my Dad, though Jimmie says I should, because he is such an interesting man. I don’t know anyone like him, with his memory for details about people’s lives and fortunes and misfortunes. At 87 he only occasionally grasps for the tendrils of a story, (far less often than I do thirty years his junior), but tells them with such conviction that I believe them whether they are true or not. I suspect they are largely true. They are always colorful and a bit dangerous, like the one below which he shared with my brothers and me via email. I hope he will forgive my sharing here.
August 31, 1999
A Short History of Brass Knuckles, by Donald A. Collins
This “pair” of brass knuckles (why is this single, ominous looking instrument of cast brass referred to as a “pair”?) belonged to Alexander Tichnor Collins, born Louisville, KY in 1873, son of Jeremiah “Jerry” Collins, a minor politician and local water company employee and Sarah Collins, who died when young Alex was under 10. Alex was a latch key kid at 12 (e.g. pretty much on his own, coming and going with his own key to the home of his father and the father’s new wife, the latter being someone with whom he did not get along). He went to work for the Louisville Street Railway Co at 16 and became their paymaster by 18, known because of his young age, Kid Collins. Jerry’s brother, Hubbie Collins, was then a star infielder for the Brooklyn Bridegrooms, soon renamed Brooklyn Dodgers, and Alex, partly emulating his uncle Hubbie, became an outstanding semi pro player in Louisville.
The knuckles were part of his paymaster equipment, as Saturday paydays could be occasions for trouble. The story most told by my father about Alex, my grandfather, whom I called “Buddy” was about a payday when a robber came into the street railway car used as a payroll car, with windows blocked out and the payor, Alex, sitting at one end, with his bodyguard. The man threatened Alex with a weapon, either gun or knife, but when he got to the desk, the guard took out his Bowie knife, stepped close into the robber and slit the intruder from stomach through breast bone. The guard left town quickly and no charges were pursued in the incident. Justice was a bit quicker in those days.
I was given two of Hubbie’s bats and leather bat case inscribed with his name by my grandfather. In the early days of baseball, the bats were shaped like bottles, not the slim handled beauties of today. Reason: The balls then had less bounce and a solid hit was needed to get the ball going. Hubbie was known for his solid line drives and his base stealing. His club record for runs scored in a single season for the Dodgers in 1991 (148) I believe still stands. Unfortunately, his bats and case were lost in a fire that swept my room and almost burned down our house after a lightening strike on June 1, 1950 in Greensburg.
Hubbie’s lifetime batting average was in the 280s. His team won 2 pennants while he lived. He died of scarlet fever at 26 in 1893 after only 8 professional seasons. His stats are in Cooperstown at the Baseball Hall of Fame.
When Buddy married Irene Shupe of Mt. Pleasant, PA, the daughter of one of the town’s leading citizens, after a whirlwind 10 day courtship, the newly weds went to her home town where Alex became manager of the Oliver P. Shupe Flour Mill, owned by his father in law. Shortly, two sons arrived, my dad, Oliver Shupe Collins (1901), and Alexander T. Collins, Jr. (1909).
Alex, a handsome, personable man with a good sense of humor and an ability to speak in public, was twice elected Burgess (e.g. Mayor) of Mt. Pleasant, then a booming mining town and coking center, where 99 open, polluting coke ovens burned constantly, making huge illuminations against the night sky. Having 100 ovens together incurred a special tax, something their clever owner, the famous H.C. Frick, avoided.
There as in Louisville the Saturday night miners could get a bit drunk and Alex often carried a small “blue” steel pistol for protection as his life was threatened several times by the celebrants who ended in jails overnight. Alex sold the mill in 1942 during WWII, having earlier moved his family to Greensburg, the county seat of Westmoreland County, as he was elected County Treasurer twice, beginning in 1936. He retired just as WWII began, hastened perhaps by the premature death in 1941 of his beloved wife of uterine cancer mis-diagnosed by a local quack.
During WWII, my Buddy and I got very close; he was bored and we would go to the movies often and sit in the front row. Or play gin rummy for hours in my house or that of his other son where he had an apartment. Often in the Summer, he would drive me to see the Pittsburgh Pirates play at Forbes Field, some 30 miles distant. I became an avid baseball fan, despite the fact that the team in those years had weak ownership and players were even worse than most of those sad wartime teams. After WWII, I went off to college and he continued to live with his younger son, AT Collins and his wife Sarah Steel Collins until shortly before his death in 1958. However, the brass knuckles, which I now use as a paper weight on my desk, and those bottle bats, though long gone, remind me of my Buddy often.
The occasion above was my Dad’s 87th birthday and his most recent trip to Los Angeles to visit with us. He’s always been good about journeying to see us, even from the days of Jimmie’s and my early marriage, when we were ensconced in the Magic Castle Hotel during the run of The Iceman Cometh at the Huntington Theatre in Hollywood in 1985. Initially quite skeptical of our relationship and the difference in our ages, he has come to appreciate my husband as “the older brother I’ve never had.”
You’d be hard pressed to find a more generous man than my father, both financially and with sharing his opinions, which he does on almost a daily basis through essay writing. Generally, he and I don’t see eye to eye on many of the topics about which he writes, but he continues to write and enjoys it.
The photos that Connie sent tell the story of our happy childhood, much of the summer days spent in the pool behind my mom’s parents’ house in northeastern PA.
This photo captures us frozen in time, me age 7, Larry to my right, age 9, and Don to my left, age 11. Dad would have been a young father of three at 34. He and my mom had just finished building their home in southwestern Pennsylvania, at the base of the hill where my dad’s parents lived. The young plants around the door are just a fraction of the massive planting spree we did over the next five years or so, on our 1/2 acre plot.
When we were home, we had his parents hosting Sunday suppers on the screened in porch up on the hill, and probably about every month or so, we’d head to Wilkes-Barre to visit mom’s parents and her sister’s family who lived nearby.
I’ve learned so many things from my father. That hard work and building relationships are critical to one’s success. He taught us about the value of money and the relationship of money to work, paying us a penny per fly for swatting flies in the summer, and a dollar for every A we brought home on our report cards. You might now call that bribery, but it was motivating, at least until they bought a bug zapper for the back porch. He was a fierce disciplinarian. I won’t soon forget the moment when he discovered a pack of cigarettes under my bed when I was about 14. Or when I lied about pulling and breaking the light cord in the basement during a squeal-inducing game of tag with the Latchaw children. I also won’t ever forget how he and my mother shaped my future by giving me the educational opportunities that I had.
As an adult, he has taught me about getting my affairs in order, living with integrity, how to pick up the check at dinner, and how to speak truth to power. I can’t imagine feeling more appreciated as a daughter. Though he lives across the country, we have a standing date every Saturday or Sunday morning to chat via FaceTime. I wish we could see each other more often in person, but this works really well as a substitute.
Recently he underwent a knee replacement which is no small feat at 87. We were all relieved it went so well. I’ve seen way too much of the progress of healing (I tend toward queasiness whenever blood or stitches is involved). But I hope he’ll soon be able to get back to the golf course and do his 9 holes daily. This, too, he’s schooled us on: the value of daily exercise and good eating.
So, on the occasion of Father’s Day, thank you, Dad, for all you’ve done to make our lives so rich. Here’s to many more!
Nestled in the cradle between Mother’s and Father’s Day, I find myself thinking incessantly about what it takes to help our children grow up into people whom we can be proud of. I am constantly reminded of the perilous journey from teen to grown-up. Our paths are all so different. Both as humans and specifically as parents.
My “high school” class just celebrated its 40th reunion. Without me. Sometimes our life journeys are complicated. Mine involves the latter years of living with a partner 33 years older than myself. Trips are not in the mix right now – at least airplane trips, and my “high school” is located in Concord, New Hampshire.
What is that annoying “” about? My High School was a prep school, one you’ve undoubtedly heard of and not in favorable terms recently as it’s been in the news way too often. But that aside, on Monday, post-reunion, I received a photo of my classmates. After magnifying it to a ridiculous and 40th-anniversary-appropriate-degree, I peered at my classmates’ faces; some of those fourteen-year-olds jumped right out at me; others, I had to scrutinize their name tags to recognize. There were still others whom I’m embarrassed to say I can’t find in my memory. And it was a small class, so shame on me.
I was on a path at that point in my life that my parents shaped for me – a bookish, introspective child, I excelled in school, and my parents sent me to prep school, then an ivy league college, a path paved in privilege. Sure, there were bumps along the way, a messy divorce during which time I relished the distance being in New Hampshire afforded me from my grieving mother. In prep school, I met many teachers who shaped my growth as an adult and participant in the arts. My teenage angst was deterred in a college-like, edenic campus with insane resources. I was buoyed by an intellectual rising tide of students and faculty. I flourished amongst young people for whom the goals were clear and foundational. We all paddled in the same direction, literally, in many of our cases, in beautiful, sleek crafts which we shifted from water to shoulder to rack, a physical manifestation of our parents’ dreams for a better future. Our runs to
the boat house every afternoon conditioned us to press on in the face of adversity or exhaustion. Our studies and extra curricular events trained us in debate, performance, student government, leadership, kindness and contribution. I was oblivious to my good fortune. I was seventeen. What did I know?
In spite of the rising tide of affluence which surrounded me in high school and college, in typical teenage rebellion, I resisted, becoming a stage manager in the theatre. My parents forgave my “squandering my expensive education” (my quotation). They ultimately understood how much passion mattered in a life, and how much I loved the work I’d chosen. They appreciated that the job kept me invigorated and alive. It gave me access to creative collaborators that were life and world-affirming, and they always supported my choices. That’s what good parents do.
My path as a parent was different. I think, or hope anyway, our son will forgive my saying that it didn’t always look so clear that he would survive and become someone we would be as proud of as we are today. I alluded to in my Mother’s Day post, that he was adopted and didn’t find his birth mother until he was in his late 20s.
We endeavored, as my parents had done for me, to provide him with the best education possible. I was always uncomfortably aware of how different his learning needs were from mine, and we struggled in the middle and high school years to provide the resources to support his learning. And from the age of about five on, we gave him the sport of ice hockey, a sport which engulfed our family and which provided a structure and mentoring influences which raised the tide of Chris’ boat. Especially influential were the hockey coaches during his middle and high school years, strong men who spent their work hours as police officers and fire fighters, and their weeknights and weekends drilling our sons into skilled hockey players and collaborative teams.
Nevertheless, strong parenting and influential mentors aside, there are crazy forces at play in young men’s and women’s lives. Pressures from peers, puberty, easy access to drugs and alcohol – we all know what they are. All these things impinge on the patterns that we develop as adolescents, for better or for worse. I’ve decided it’s almost as much luck as it is money or education that we give our children. And we operate in the dark a lot of the time, not really knowing the shadowy forces at play in our children’s lives. I tend to be optimistic about how things are going and for many years for our son, they weren’t going in a way that should have made me optimistic.
I hurry to say I don’t want to pick on my kid as the only one. I’ve talked with numerous parents and friends with children this age who are in what I can now safely and with the relief afforded by healthy hindsight, call the “Black hole of Parenting.”
I think (and can confirm from conversations with him) that at a certain point, Chris, provided only limited information, pre-natal exposure to drugs, and the resulting difficulties in learning that that presented, struggled with the pubescent urge to resist his adoptive parents and become who he thought he was destined to become. That’s a powerful stew. Chris made a beeline towards a target which was self-destructive and painful and certainly was not the path of privilege we’d tried to set down for him.
This was a painful period for us as parents. I remember thinking when he was about sixteen or seventeen that he might not survive. And again in his early twenties. But I think all parents go through that. Jimmie and I clung to the belief that there was something special and unique about Chris that would help him to survive and become a magnificent human, even though, at times, it was difficult to see that that was what he wanted.
I write this not to expose his weaknesses as a young adult, but to tell you and any parent out there who currently finds himself or herself in the black hole of parenting. Here are just a few things I know, having emerged from the black hole of parenting:
Not every child needs to go to college to succeed.
Your child’s decision not to go to college is not a reflection of your failure as a parent.
Young men grow up at about age 26. Work your hardest to keep them alive until then. Make it okay for them to share their failures as well as their successes with you. Keep the channels of communication open. The car is a particularly successful incubator for these discussions.
Sports are crucial to developing the skills and endurance one needs to survive in this world. The gift of loving a particular sport is the greatest gift a parent can provide. The gift, in our son’s case, that keeps on giving, now that he’s a hockey coach. Choose a rink fairly far away so you have lots of incubator time (see 3)
Every traumatic event that occurs along the way through the growth process will influence your child’s life story, both in devastating and healing ways. Chris is such a good coach to young men now because he knows where each pitfall lies and has a keen sense of when someone is close to making that mistake. He can now help them to see it and hopefully make a better choice.
Be grateful every day. Make positive choices for yourself in your own life. You have no idea how impressionable your child is and how much he or she is absorbing your experience. Deal with negative circumstances openly, and with as much integrity and forward positive energy you can muster. That is what your children see and eventually learn to model themselves.
No matter how beautiful every other family’s parenting looks like, yes, even they occasionally feel the presence of the black hole. I remember getting an insane Christmas letter one year from some parents whose children were all heading quickly to being recipients of the MacArthur Genius Award. I responded by writing a satiric yet primarily factual response about what Chris was doing at that same timeframe. In other words, I found a creative and humorous outlet for my despair. (obviously, I didn’t send it to anyone). Later I sent it to Chris as a benchmark for what we’d experienced. We shared a good laugh about it.
Laugh about it, even if through your tears. It’s analogous to picking up your toddler when they fall down hard and brushing them off.
As I said before, I’m an optimist. I’m also aware that not everyone is able to survive this dangerous phase of adolescence. We are reminded of that every day in the news and when we learn about personal tragedies of parents everywhere. The pain of loss is unfathomable and makes my relief all the greater.
When I look at Chris now, and I look at him in those baby pictures from so many years ago, I can see the same joyful inquisitive intelligence he brought to us as a toddler. We just did our best to keep that alive. You parents in the black hole, keep reminding yourself that “this too, shall pass.”
W & M have known each other for ever. From back in DC where they worked as interns for some Capitol Hill pols, carrying their bosses’ lunches back to the office, purses over their arms, chattering like magpies.
WAIT! Did you say magpie? Where?
No, W & M, it’s a figure of speech. Let me tell the good people the story.
Last weekend, I was assigned the job of checking in on W & M while their parents were away. I think it’s a wedding – unclear. But W & M live in two cozy apartments near our downtown cozy apartment, and we know the “checking-in-on-the-kids-while-the-parents- are-away-for-the-week” deal. At one point, our policy was to only leave a live person in situ so that things didn’t get out of hand. So I’m an old pro at this. I went to check out the lay of the land on Sunday.
Food. Check. Really, they only eat kibble?
K-litter. Check. No scoop?
It’s okay – shakeable tray.
Moms and Dads left last night. So I went to check on the girls after work this afternoon. I opened the door, catching W with the game remote in her paws, cigarette hanging lazily out of mouth, Ark: Survivor Evolved blaring away on the TV. She was busy fighting T-Rex when I opened the door. She dropped the remote like a hot potato, cigarette falling perilously to the floor. I ran across the room and stomped it out, tried to look stern, but she was so nonchalant I didn’t know quite how to handle it. I was completely dumbstruck. Then she dropped to the table like she’d been doing her nails.
You know how tough it is to yell at someone else’s kids, so I just went on checking her food and water, then grabbed the fascinator (I know it’s not really called that, but its such a great descriptor and so current) just to let her know that I wasn’t mad. After all, I don’t set the house rules, her parents do.
I bid W farewell and made my way down to M’s apartment. I am pretty sure W had called her about my coming because by the time I got to the door, M was wailing. I mean on the guitar in the living room. She was wailing. Sounds came out of that guitar like you’ve never heard. I mean I knew she was good. W’s parents had told me, but I had no idea.
I put the key in the door and turned the knob only to find M sitting demurely by the door, no guitar in paw, looking up at me with ennui. Which is hard for a cat to master. Usually they have the imperious thing down, but ennui is a real affect that they have to master. Ennui, that is, until she realized I was her meal ticket. Then the caterwauling started for real and she wrapped herself around my legs.
I scooped her food and filled her bowl and backed away.
What can I tell you? I know they were both up to something before I got there and then when I arrived, almost all evidence was gone. I’ll have to wait and see what other shenanigans they pull the rest of the week. I bet it will be good. Kids always misbehave when their parents are away.
For now, you’ll have to trust me when I tell you that W & M are living the high life.
The image above is one of those perfectly encapsulated generational images. On the left, our son, age 2 and 3 months, poised in his dandy finery next to the knob on Thanksgiving, impish smile as he reached for the doorknob, his favorite talisman of the terrible twos. On the right, a photo of his daughter, age 2 and 4 months, hand extended in an eerily familiar manifestation of her DNA. Both photos say “Don’t go.” But in the one on the left, it was we who were saying “Don’t go” and on the right, it is our granddaughter who wears the universal mien of the child who wants her parent to stay. I haven’t asked Chris who took the shot, but I’m assuming from his Instagram post that he evoked this tragic look of loss on her little face.
April has been a month rich with visits, starting with a spring break visit from our son and his wife and daughter, three days full of flurried energy. Our guest bedroom isn’t the comfiest spot for a family of three, but we’ve hungered for connection, so it was great to have them here. This last visit was taxing because unbeknownst to me, Jimmie was becoming dangerously anemic.
Our second visit was from our dear friend Susan, who resides in South Africa. Her trips are about the clearest demonstration of a friend’s love that I’ve ever witnessed. Two legs of travel, the first 10 hours, the second 16. Each way. I don’t know how she does it, but she manages to stay awake while here to visit, and to watch baseball with Jimmie while I head off to work. The last day of our visit was cut short, when I drove Jimmie to Hotel Good Samaritan to find out why he was so exhausted. Susan, ever gracious, had cleaned the house and left us flowers reminiscent of those she left 34 years ago in our honeymoon suite after executing the Maid of Honor duties for our wedding.
The third visit was Jimmie’s niece, Martha, come to support me through the last weekend of productions in the spring semester. I called her on Wednesday, she arrived Thursday evening and began taking care of us selflessly, as she has done so many times before. She cooked for us, spent time with Jimmie, and still managed to make discoveries around downtown LA, checking in on the progress of the mural in Pershing Square. She discovered a new dangerous french bakery/cafe opposite Pershing Square, where she picked up the best blueberry scones I’ve had ever. Martha has an enormous zest for life and such style that I am constantly finding myself wanting to emulate her. She was as ever, a good sport, when I cajoled her into participating in one of the spring productions at USC, entitled Don’t Go.
Don’t Go was a devised, exploration in collaboration with the Sojourn Theatre Company, under the auspices of USC’s Arts Initiative, “Visions and Voices” of what happens when strangers meet, form a relationship, then discuss a topic that they may not see through the same lens. For a year, we’ve been planning this artist residency, and for the past four months or so, we’ve cast the seven student actors, and then the Strangers. The rehearsal period and performances were the culmination of this phase of the project, which I suspect will have a future life in the capable hands of the Sojourn Theatre.
Jono Eiland facilitates a discussion between cast member Stephanie and her Stranger
Stephanie and her Stranger talk through Aubree Lynn’s set piece
Jono Eiland and Michael Rohd set the stage
I’ve come to appreciate the kindness of Strangers. Both at work and at home. Yes, capital S because the Strangers I met at work this month were many, curated from the USC campus and from among friends, family and neighbors within the larger Los Angeles area. The play demanded participation of seven of these curated souls each night, and finding them initially seemed impossible given the constraints of our other productions and the fact that each day only had 24 hours. Guided by the directors of the piece, Nikki Zaleski and Rebecca Martinez, we reached out to create bridges across the campus and with other theatrical institutions, such as The Pasadena Playhouse, which yielded willing participants to this theatrical and social experiment. Potential Strangers were asked to fill out a brief survey, indicating their availability for specific dates and performances or rehearsals, and some brief questions to unearth issues that they might feel strongly about. Meanwhile, the directors were building a structure for the conversations to take place while guest scenic designer and artist Aubree Lynn simultaneously designed a habitat. Student Costume and Projection Designer Mallory Gabbard worked to create clear instructional projections and a curated wardrobe to support the desired environment.
Student Lighting Designer Abby Light created a flexible plot which could both color and provide movement around the space for the conversations to unfold. Student Sound Designers Jacob Magnin and Noah Donner Klein grappled with the physics of reinforcing sound in unpredictable places throughout the theatre.
Most impressive to me was the ingenuity of the Stage Management team, students Lexi Hettick and Domenica Diaz, who communicated throughout the process with our Props Manager, Hannah Burnham, as the tasks to foster relationships evolved. In tech and performance, Lexi created an improvised tracking system to call lighting, sound and projections as determined by Sojourn artists, Jono Eiland and Michael Rohd, who took us all on the journey each night. It was different each night, because the topics selected were different. Lexi’s and Domenica’s focus in tech was laser clear and sound, live mixed by Noah was integral to the audience’s ability to follow the show.
The take away for me from the month of April is the blessing of generosity in the people around us all the time were we only to be aware. As negative as the current news cycle is, it is sometimes easy to think we are surrounded by danger all the time. My personal visits at home and the circumstances of the Sojourn piece allowed me to appreciate that we can easily share our common humanity with a complete stranger over the course of anywhere from 10 to 90 minutes of getting to know them. We may present ourselves to the world in a way which may be very different from what is in our hearts.
Yesterday, a new visiting nurse came to check up on Jimmie, post-hospital stay. She and I had been playing phone tag a bit, and we were expecting her between 6 and 7pm. Starving, Jimmie and I downed a bowl of potato chips, and I went to see what of Martha’s magical leftovers were in the refrigerator, not intending to prepare them until the nurse left. She arrived, a young woman in her early to mid-twenties, clad in blue scrub pants, a gray t-shirt, and sneakers, a bounce in her stride that jostled her braids. Within the ten minutes of our meeting, she knew that I taught theatre (which surprised her), and we knew that she lived in the neighborhood and had a four year old with brain trauma. How do we know these things? Because we allow ourselves to be interested in each other. To take advantage of the most cursory and peripheral engagements to be curious about who they are. What do they think about this? That?
With our hands on the doorknob, poised for flight, we have the opportunity to say to each other, Don’t Go. Stay a while. Let’s share our common humanity.