Lessons in Narcissism and Recovery

An American living in our times would be forgiven for diverting their gaze from narcissism as an odious and rampant practice of the higher reaches of our society. I remember one of my husband’s favorite stories was from when he’d shot the film Doc in Almeria, Spain back in 1971. He’d been on location for several weeks, and after recounting seeing someone kick a dog in the street, was told “It starts at the top with Franco.”

James Greene, 1971 as James McLowery in Doc

Yeah, well, I think we’ve beat the Spaniards on this one. So clear is the directive sent from the upper reaches of our government that the expected trickle down effect has infiltrated every corner of our society, Ponzi schemes, to #MeToo to the latest scandal in college admissions. All are fundamentally based in the tenet that my needs/truth/reality overrides yours or anyone else’s.

I’m here to tell you that sometimes narcissism is healthy if exercised in a confined timeframe. I can’t yet tell you the acceptable outer boundaries of healthy narcissism, because I haven’t yet navigated them, but some examples are:

  • Around the birth of one’s child
  • Around the care of loved ones
  • Around the death of one’s partner

There may be other examples of appropriately prescriptive narcissism. My direct observations have to do with all three bullet points above. Not sure what our Franco-equivalent in the White House would say are the rationalizations for his extreme narcissism, but I’m pretty sure they are none of the above. But then, as a (hopefully temporary) narcissist, no one’s pain is worse than mine, right?

Last Sunday, I had the pleasure of seeing The Miraculous Journey of Edward Tulane at the 24th Street Theatre, here in South Los Angeles. Running through May 19th, based on the young adult book by Kate DiCamillo, the play recounts the travails of a uniquely fashioned charmingly narcissistic china rabbit. Edward’s miraculous journey unfolds through his travels and travails, and his awakening from narcissist to empathetic being, able to learn to love again after his own loss. The 24th Street Theatre does consistently beautiful work with minimal and very theatrical elements, and again, here they don’t disappoint.

Director Debbie Devine has guided her cast of four, accompanied on a piano throughout by Bradley Brough through the intricacies of this rabbit’s tale (sorry, couldn’t resist). Funny, moving, tear jerking and ultimately satisfying, the afternoon unfolded with a welcoming curtain speech by Co-Artistic Director Jay McAdams, contextualizing this theatre’s imprimatur on the play (first production utilizing spanish supertitles, created for the production, as well as the consciously simple aesthetic which the theatre embraces). From the moment I entered the lobby of the theatre, I found my visit one of inclusion. Awkward in my singleness these days, I’m challenged in going out to see something on my own, particularly on a Sunday afternoon. It was opening weekend of the play, and the lobby was filled with 24th Street Theatre family members, board members, critics, adults, children, neighborhood folks. The step and repeat with a stool and two bunches of carrots was heavily utilized. I enjoyed seeing families posing with the carrots and huge smiles on their faces.

(I’m sorry, Jay and Debbie, issuing a spoiler alert.) If you are in the LA area, please come see this play. If you aren’t, you can benefit from a reading of this magical book.

Like Edward, I’ve been going through my own miraculous journey since my husband’s death in November. In the early phases of his rabbit destiny, Edward is cocooned in the loving embrace of his young girl owner Abilene Tulane. He wants for nothing, so embraced and supported is he. A bunny of privilege, his clothing is stylish, his position in the household secure. Then comes his loss, from which it appears he may never recover. His life pretty much goes to hell. I recognize, wear these phases of bunny privilege, then loss. The life going to hell part is less applicable, unless you describe sessions of unprovoked tears, increased impatience with things and people and a general weariness and disinterest in participating as hell. I don’t afford myself that luxury. I know that it is a process, and as hard processes go, they are not hell. They are opportunities for growth and improvement and learning.

The tears, weariness and disinterest describe the immediate aftermath of a loss, even if you are lucky as I have been, to have the consistent support of family and friends. Eventually, after the public grief cycle has “ended,” after the memorial, the funeral, the life celebration, the next phase begins. It is one of solitude with a lot of acting involved. To sustain the Edward Tulane metaphor, this might be construed as the “scarecrow” phase. Utilized as a deterrent to others, surrounded by shiny objects, the grieving widow/er is still out there in the field, showing themselves to be fierce, smiling, but feeling emotionally empty and suspended. This might be why I chose to purchase the bracelets and distribute them to my grieving friends. Upon receipt, their thank yous were heart-felt, but also tinged with a recognizable sadness and fraught with questions I don’t have the answers for.

How do you keep f&*king going?

I can keep f&*king going, but why should I?

And for me, the moment one night 34 years into my sobriety, five months into my solitude, this week, I stood in front of my cabinet in the kitchen and looked at a corked bottle of red wine left over from one of my recent visits by friends, thinking to myself, “well, no one would even know if I had a glass of red wine right now.” I promptly uncorked the bottle and poured the remaining wine down the sink. It really scared me.

The one reassuring element of this scarecrow phase is that I find myself surrounded by other scarecrows. I’m not alone in the field. Nor are any of us. I want you to hear that.

None of us is doing this human thing alone.

I’m reminded of that every day, yesterday in the hallway in the DRC as I greeted a colleague who has been on leave for several months. We clung to each other sobbing amidst the coming and going of our colleagues. In her I recognized her challenges and loss; in me, she recognized my loss and challenges.

If you were to read my bed-side table stack now, you’d be worried but really, I’m in a research phase, to prepare me for the work ahead. Because of my loss, my bunny tale, if you will, people have been reaching out for support during their own challenges. I want to say when they do, “I don’t know any more about this than you do!” And I’m certainly not an authority on caregiving, death, or anything related to human loss. And yet, I do have the capacity to listen and hear and try to help. In my own limited scarecrow capacity. As do you. And certainly my friends do.

Emotional Check in this morning with my Pals via Skype – three different time zones. So sustaining.

From now through May 19th, if you live in Los Angeles, you can and should see The Miraculous Journey of Edward Tulane at the 23rd Street Theatre. It will help you in your recovery. Aren’t we all in recovery from Narcissism?

Getting Into College without the Strings and Tutorial 2.0

There are things that are predictable in the cycle of a university year, which is distinctly seasonal. In the late fall, High School seniors create their applications, visit the campus to see a production, determine whether they will throw their hat in the ring. Months pass, and with the advent of spring, the acceptance and rejection letters go out.

Today at the Open House, I had the privilege of meeting many prospective students, who have been accepted to USC School of Dramatic Arts where I work as Head of Production. They visited the campus to participate in workshops in acting and production, and to meet the faculty they may study with over the next four years. As I looked around the room this morning at my colleagues on the Production/Design Faculty, and at the freshly scrubbed faces of stage managers, technical directors, and scenic designers, I flashed on the hours of collaborative work we’ve engaged in this year with our current students. How quickly we traverse the distance from this pre-matriculation meeting to the next workshop I hosted, the portfolio presentations by the designers of the Spring Musical, all seniors this year. The years fly by.

Those of us who are involved even peripherally in college admissions these days are sensitive – one could say feeling bruised by the admissions scandal. As the miscreants parade across our news feeds, those of us who go through the sincere process of reviewing, assessing, encouraging applicants to our programs feel like we’ve been sucker punched. We forge ahead because we know the rewards at the end of the rainbow.

The most heartbreaking thing for me about the big tacky admissions scandal is the lack of faith in their children these parents demonstrated. It’s clear that not everyone is cut out for college or needs it to succeed. My son eschewed the college experience. When I began working at USC, he was fourteen, and I had high hopes of taking advantage of the tuition remission. While I was initially heartbroken that he wouldn’t follow in my footsteps by going to college, I knew that the route he’d chosen would be hard but that he’d be okay. He worked for several years as a commercial fisherman. The only strings I was able to pull there were asking my brother to help him get work in that field. He embraced the work. I was humbled by his commitment and hard work and what he learned during those years of backbreaking work.

The parents today at lunch bemoaned the entire process of the admissions process. How much more complicated the process seems than when I’d gone through it! I applied to two colleges, one early admissions, and one back up school. How different my life might have been had I ended up there. It’s not unusual for our current students to have applied to more than a dozen colleges, made multiple college visits with their beleaguered parents, who want the best for them.

We have some extraordinary senior designers and stage managers and technical directors who are exiting our programs with their degrees in about a month. They are scenic designers, sound designers, lighting and projection designers, stage managers, costume designers, and budding production managers/TDs, a self-proclaimed costume designer and sewist.

Listening to them recount their design and stage manager processes to the incoming students today made me feel as proud as the parents who’d accompanied our guests to campus today. These students have worked hard to earn their degrees and build professional portfolios. Through their diligence they have also assumed the roles of ambassadors to our next freshman production/design cohort.

USC School of Dramatic Arts performance of “Sunday in the Park with George” on Mar. 27, 2019, in Los Angeles, California. (Photo by Nicholas Gingold/Capture Imaging)

Recently when I posted the picture of the bracelet I bought to keep f***ing going, Chris reminded me of my “warm and fuzzy” response to him when he called me once during his fishing days.

13 stitches in my leg, in the middle of the ocean complaining about shushing 2 tons of ice to you (to which you said) “You’re either a winner or a whiner? Which one are you?”

We hung up shortly after and I didn’t go to bed until the job was done.

While there was a time when we lost a lot of sleep about how our son would turn out and considered concerted intervention in the trajectory of his life, I no longer worry about the choices he makes. He’s the head coach of a prestigious elite hockey prep team and demonstrates daily to his players about the importance of life choices and the skills and practice they continue to refine under his and his colleagues coaching. He utilizes discoveries he’s made finding his path as a powerful teaching tool. Just as our college designers do. Strengthening their practice through self-examination, sometime failure and recovery and building collaborative relationships.

As I make my way in this new single life I’ve been thinking a lot about the closed circle that is a marriage. Often to the withering of long standing friendships. Add to that working in the theatre where the hours are already a severe deterrent to having a social life. Married couples tend to socialize with other married couples who are similarly distanced by their own bubbles of connubial bliss. What happens when a marriage ends, either through divorce, or the death of one’s partner? How do you re-enter the world? Re-activate relationships that were important to you? How do those people respond to your attempts to re-activate? Is this a healthy exercise? Too nostalgic? Should one be looking forward to forming new relationships instead? Is it fair to expect that people will be willing to re-activate long dormant relationships?

These are some of the topics I’m considering. They coincide with my increasing nausea about social media. This week I’m convinced it’s a matter of days before I unplug. I’ve already removed the book of Face from my phone as an initial step.

Then, there’s the Tutorial reboot.

I had what I thought was the brilliant idea to reach out to reconnect with a group of my high school friends, who shared a very special moment in time and mentorship with our Theatre Professor from 1977 – more than forty years ago. We called them our Tutorials, weekly gatherings where we sipped our tea, listened to the radio and talked about the problems of the world before trundling off to chapel.

Utilizing the old fashioned medium of email, some internet sleuthing and the promise of revisiting a special and formative time in our young lives, I invited the group to have a zoom tutorial. Scheduling this online group chat was one of the more challenging scheduling problems I’ve tackled (even as a life-long stage manager). All was set for tomorrow morning at 6:10AM PDT, 9:10AM EST when the participants started dropping like flies. The excuses were among the more creative ones I’ve ever encountered.

The yoga class that I teach with incarcerated men has been changed to Sunday morning.

And I’m thinking I can’t even bend at the waist any more….

I’ll be in the Louvre at the time of our call and will try to make it work.

Can you stand in front of the Mona Lisa to prove this outrageous claim?

I’ll be in Sydney and it will be 11:10PM and I may need to get to sleep.

For crying out loud! We have four time zones to coordinate here.

Clearly these are interesting and worthwhile connections to resuscitate; it may take olympic level scheduling skills work out the next chat. That and the willingness of the others to re-boot these friendships.

Hats and Passports and Moving On

On Monday, my son and his wife ushered a beautiful second daughter into the world, a process comparable in many ways, he noted, to helping his father/my husband out of life last November. Sitting bedside, hearing the breathing patterns, feeding encouragement, at one end breath expunged, followed by a terrible stillness and the onset of grief; at the other, an energetic intake of breath, a hearty kicking cry of life followed by rejoicing. Both amazing and frightening and life altering experiences for the privileged witness participants.

I wasn’t able to be there for the in-person rejoicing, as we’re in the full press of tech for two spring productions at USC. Someone, however, took a photo of Chris, holding the newly arrived baby, swaddled in her iconic blue and pink baby blanket, eyes closed. In the photo, Chris looks at the camera. Over his left shoulder on the sill of the hospital window sits his Dad’s blue Boston Red Sox baseball cap. In his eyes, the warmth of a life remembered and one anticipated.

Chris had brought his Dad along for the birth. Three years ago, Jimmie and I’d arrived from the airport about an hour after their first daughter was born. We’d all sat on that same purple couch, marveling at her perfection and the miracle of new life, then watched as she had her first bath.

Early days of Granddaughter 1’s life with Grandpa Jimmie.

Last weekend, we had tech rehearsals for Stephen Sondheim and James Lapine’s Sunday in the Park with George in the Bing Theatre, and Susanna Centlivre’s The Busybody in the Scene Dock Theatre. Spring beckoned from outside, beautiful lush flowering bushes surrounding the Technical Theatre Lab. Periodically, I would roust myself from the hip-wrenching theatre chairs to walk the exterior perimeter of the lab, beginning appropriately on Bloom Walk, savoring the sunlight on my head, and watching the hummingbirds dart through the blue and pink flowers. Very restorative.

Last night, I sat and watched the second dress rehearsal of Sunday in the Park with George, house left in the Bing, our 551 seat proscenium theatre. It felt good to sit down because it had been a day. I came in and tossed down my backpack, falling into the comfort of the seat.

I’d started the day assisting the new Campus Emergency Response Team in their final training exercise, playing a victim in the Search and Rescue drill. There were nine of us, all but one of us CERT members from previous trainings: staff, faculty, even a local untethered middle schooler. We arrived at 7:30AM to get made up, bloodied, ready to play our roles and ready to do some serious schmacting, the kind of overwrought performances only non-actors can give. I eschewed facial blood because I had to run from the drill to film the welcome greetings for our incoming class of Production/Design students. I figured seeing the Head of Production bloodied or just looking dirty might not be a good message of welcome for them. Good call?

I’d been feeling particularly sad that I wasn’t at the birth of my second granddaughter the day before, so during the drill, I adopted two rescued CPR baby dolls with enthusiasm and purpose. Another participant, Michael, from the USC Hotel, embraced them, too, so while I came into the drill a widow, within a few hours, had two babies and a husband. Pretty quick work, my fellow victims laughed. I’m sure there is some embarrassing video and stills out there of our schmacting. Stay tuned.

Chris and I texted throughout the day, first in the morning, about his eldest daughter’s dour demeanor at breakfast. She had some particularly colorful words for her other Nana as she gruffly eschewed toast. I took the opportunity of being surrounded by the zombie apocalypse to film a little PSA instructing her to eat her toast, and what might happen if she didn’t, but Chris hadn’t shared it with her. She was busy coloring.

As I watched the start of Sondheim’s masterful treatment of art and love last night at the second dress, I thought of Jimmie, not just because Chris had texted me moving messages about the power of helping loved ones across the border from life to death and from birth to life, but because the actor playing George was wearing Jimmie’s straw hat. We’d found the hat on one of our vacations to Cape Cod, a straw panama hat with a black ribbon around the outside, with the prophetic brand “Sunday Afternoon” inside the sweat brim. I’d brought the hat in earlier this year, rescuing it from its ignominious resting place in a wooden magazine holder at home, hoping that the hat (and Jimmie) might have another go on stage, and sure enough, the costume designer designated it the place of honor. I watched the hat come to life again as George sketched studies of the characters on the banks of the river for his seminal work of Act I, Un Dimanche Apres midi a L’Ille de La Grande Jatte.

L. to R. Tyler Joseph Ellis (George), Luke Matthew Simon (Boatman), Liz Buzbee (Dot), Diego Dela Rosa(Baker), Shelby Corley (Nurse), Piper Kingston (Old Lady). Scenic Design by Mallory Gabbard, Lighting by Pablo Santiago-Brandwein, Costume Design by Edina Hiser, Projections by Derek Christiansen, Sound Design by Dom Torquato

Sondheim’s Act II meeting of 19th Century Dot with 20th Century George had me sobbing. Sometimes the confluence of art and love and life and events of life feels almost too strong to bear. But it wasn’t until after the dress rehearsal ended that I realized I’d been sitting in “Jimmie’s chair” all night. 551 seats in the Bing, and I’d plopped down my backpack in pure exhaustion settling into his seat to watch the rehearsal. Who says our loved ones are gone when they are gone?

Sheathed in it’s sleek red white and blue certified envelope, my new passport arrived earlier this week. I could barely wait to open it when I got home, backpack still on my back, ripping the top of the envelope to extract the smooth, navy booklet emblazoned with the gold eagle, turning quickly to the glossy photo page to see what this world traveler looked like.

Note to self: don’t take the photo immediately after a haircut lest you look like a newly shorn Maltipoo. While cute, remember that this image will follow you on your travels for ten years. But then, we’ve previously acknowledged my history of poor pre-Passport acquisition hairstyles. A few days later, the old passport arrived, retired by virtue of its expired date, and more evidently by its hole-pierced cover, now a testament of travel gone by, an archive of trips untaken.

The new passport, a beckoning scorecard for future adventures, a challenge to stretch from the safe commute of home to work to home. What if work can span the globe as it does for grandson George?

I’m sporting a new piece of jewelry acquired this week as well. Not quite the same message as Stephen Sondheim’s inspiring Act II number, but this, for the moment, is my new mantra. I’ve bought a dozen of these for dissemination to my “widow’s club.” Because while it’s not a club one willingly seeks membership in, it’s sure nice to have the support of others on the same journey.

Please join us this weekend and next at USC School of Dramatic Arts to see what our two current productions promise in the way of emotional border-crossing. Hope to see you there!

Tension Tamer

In the recent MFA Year 3 Rep production of Swimmers, by Rachel Bonds, within her architecturally clear human rabbit-warren-of-an-office building, Dennis, offers the new intern, Vivian, the opportunity to sit for a minute and have a cup of tea. Overweight, unhappy in his work, Dennis resorts to 20-minute naps in the bathroom every afternoon to kill time within the boredom of his day. As played by Gabriel Leyva Lezcano, Dennis gets mixed results with his sanity siesta, but nevertheless has time over tea to reassure Vivian that her workplace humiliations are minuscule next to his own.

His desk sports a huge display of Celestial Season teas, each one which he tantalizes her with good humored description. Half of us in the audience want to pull up a chair when he intones sibilantly, seductively:

Tension Tamer. Tension Tamer. Tension Tamer.

Lately, I’ve been struggling with significant pain in my back. It is physically real, but also exacerbated by tension and being sedentary. The pain has dug in its little claws throughout the first quarter of 2019. I’m seeing the chiro and this week, had a massage which zapped the pain completely for almost two days. Dennis’ invitation – “Tension Tamer, Tension Tamer, Tension Tamer” calls fiercely to me. Give me a cup, no, make that a whole pot.

Yesterday, the final day of Spring Break, happened this year to coincide with the worst week of scandal at USC (speaking of Workplace Humiliations), found me sobbing in my office after my office mate Hannah went off to a staff St. Patty’s Day pot luck. It was the first time since Jimmie died that I cried, ugly wrenching sobs with no way of stopping them. I was happy it coincided with lunch, so my misery was private. Now I’m kicking myself that I didn’t actually make myself a cup of Tension Tamer, the left over bags sitting in our tea shelf. It might have helped, but also, a good cry was probably long overdue. I don’t tell you this to evoke sympathy – oh, poor Els, but to let you know that grief is hard-heartedly autonomous in its course. There’s really no way to predict when you will be damp-eyed, or reduced to a full throated blubbering. Friday I was definitely “under the boat” to quote my niece, Martha’s analogy about grief.

Perhaps, too, I was mourning that last weekend’s pleasures were through, in spite of the fact this weekend was also jammed with fun things to do; Friday I found myself mentally distancing myself from all of them.

Last weekend, I had the pleasure of hosting one of my dear friends and a fellow alumna from St. Paul’s School, Nora, who flew west to spend the weekend, and check in on me. In addition to doing some of the closer to home tourist things you can do in DTLA: dinner at the Original Pantry Cafe, riding the sleek elevator with no buttons to the Sky Lobby of the Intercontinental Hotel, walking to the Grand Central Market, Nora and I sat for hours, often in our jammies, sipping our tea and coffee and solving the problems of the world. Before her arrival, Nora had conspired with our LA based SPS classmates to have dinner in one of their beautiful homes on Friday night.

Playing tourists in DTLA. Clockwise from Top L: Original Pantry Restaurant, in the lobby at the Intercontinental Hotel, and at Grand Central Market

Given the plaudits of some of our classmates, (many of us bear the same educational pedigree of Robert Mueller) that initially was fairly tension-inducing, but after settling in to chat about past and present realities, it ended up being the perfect antidote to stress and grief.

This weekend, I’d scheduled a phone call with my dear friends who I’m visiting in Italy. Our chat was something I was really looking forward to. I’ve booked the tickets, but still need to solidify the time/place within that two week span.

A walk in Descanso Gardens, again, something I’ve been looking forward to all week, but when I woke, pain tugging at my back like an impatient two-year-old whose parent is on the phone, I questioned whether I’d have time to sandwich it in.

The gym, I’d scheduled at 9:30 but was an event my back seemed to have other feelings about. Beginning with the decision to go to the gym right after my chat with my pals about Italy made the day turn around. Later, still sweaty from my workout, I met my Merry Widow Master Gardener friend Jennifer at Descanso Gardens to see the tulips which are in bloom.

Tonight I’m off to the theatre with another friend to compare notes on the world and enjoy the remaining hours before Spring Break is over. I think Jimmie would approve of my current philosophy: say yes to everything. Even if it means having a good cry now and again, followed by a cup of Tension Tamer tea.

Jimmie watches calmly in a playground in Santa Barbara last summer.

Between the Bubble Machine and the Sobbing

The other morning I dashed from the gym to my eye doctor’s office to pick up my new glasses, you remember, the Gwen Stefani frames? This pickup happened to coincide with the arrival the night before of some new togs I’d ordered on sale at Macy’s. As I drove home in the gestating traffic from Burbank to DTLA at about 9:00AM, I pictured my stylish new self cutting quite the swath through the morning air as I strode into my office.

I arrived home, pretty rank by this time, having gone sweaty into the car in my down jacket. Due to the atypical inclement weather in L.A., I’ve had it on for almost three weeks without respite or laundering. Ew, you’re saying. Peeling off the offending jacket, I greeted my cleaning lady, who was off in the bedroom busily stripping the bed of it’s sheets. As I called her name, I saw her coming toward me, face splotchy, guiltily swiping the tears from her cheeks. We embraced; I tried to console her, she tried to recover, but we both knew I’d caught her grieving. And me, temporarily dry-eyed, looking toward my day clad in my new persona, the classic “growth vs. grieving” moment.

I went off to work and I guess the glasses were a lot more stylish in my mind than they are in person – no one noticed them. Granted, the decor is on the inside of the frames, with only a glint of red visible at the temples.

Do you like my Gwen Stefani glasses?

To which the universal response was ‘meh.’

Wednesday, I attended a Visions and Voices event, Enchanting Aging: Inspiring Awe and Meaning in Late Life. Writer and MacArthur Award honoree, Anne Basting, came to share her research about the intersection of health care and culture in an appropriately fashioned joint event between the School of Dramatic Arts and Gerontology. She began her lecture by defining Awe and Wonder, and asking us all to turn on our cell phones and text someone the following question:

What gives you a feeling of awe and wonder?

She instructed us to text the question to someone we knew well and then mute our phones. She promised that later we’d be able to share the responses.

Predictably, Chris’ response was not “a walk in the woods or the snow carpeting the woods” but merely, “What?” And then a rude quip about something completely unrelated to awe or wonder followed by a smiley emoticon, tears pouring down its face. What can I say? Maybe we didn’t raise an awe-er, but he does have a fair amount of wonder-ing going on most of the time. And a great sense of humor.

Dr. Basting’s recounted her work (her website is www.timeslips.org) in an illustrated presentation, the bold splashes of colorful humanity on Gerontology’s fancy LED display. She brings the rigor of her scientific exploration into fierce and joyous communion with her artistic practice, much of it with the Sojourn Theatre Company. There were more than a few moments of awe and wonder experienced by Wednesday’s audience. She asks compelling questions: How can we deepen the cultural and human experience of people in long term care (both residents and providers) by creating collaborative and creative spaces to share that humanity? It can be done, and the results are inspiring.

Her talk described how awe can minimize our egos and wonder can maximize our search for meaning. She had a dandy diagram which I unfortunately didn’t capture to illustrate this. I bought both her books and look forward to learning more.

One of the stories she shared grabbed my attention. She detailed a pre-production walk-through of one of the nursing homes with the director and production designer for their upcoming production of the I Won’t Grow Up project in three care facilities in Kentucky. As they walked they indicated where they would place the bubble machine, then came around the corner to discover a couple in their 60’s sobbing in each others arms. Forgive me while I mangle exactly what she said, but what I heard was that in these creative care settings, where we seek to buoy people’s emotions with a shared uplifting experience (metaphorically the bubble machine), we also need to remember and respect the underlying grief and profound loss that also resides here. Don’t all of us reside squarely between the bubble machine and the sobbing?

In the Q & A period following Dr. Basting’s talk, a student behind me raised her hand and shared that she’d recently lost her grandmother. She became emotional, and in the way that we recent grievers tend to do, laughed through her tears and apologized that she “wasn’t over it yet.” Her admission made me tear up more from the obvious expectation she was inadequate in her grieving, the idea that she should be over it. I wanted to reach back and tap her hand and let her know we were with her and didn’t expect that she recover on some societal timeline.

My dear friend Susan sent me the most beautiful and apt poem that I’ve shared with some profligacy already via text message to my Widow(er) Club. Delivered within a Sermon written in 1910 by Henry Scott Holland on the occasion of the death of King Edward VII, it is entitled Death Is Nothing At All.

Death is nothing at all. 
It does not count. 
I have only slipped away into the next room. 
Nothing has happened. 

Everything remains exactly as it was. 
I am I, and you are you, 
and the old life that we lived so fondly together is untouched, unchanged. 
Whatever we were to each other, that we are still. 

Call me by the old familiar name. 
Speak of me in the easy way which you always used. 
Put no difference into your tone. 
Wear no forced air of solemnity or sorrow. 

Laugh as we always laughed at the little jokes that we enjoyed together.
Play, smile, think of me, pray for me. 
Let my name be ever the household word that it always was. 
Let it be spoken without an effort, without the ghost of a shadow upon it. 

Life means all that it ever meant. 
It is the same as it ever was. 
There is absolute and unbroken continuity. 
What is this death but a negligible accident? 

Why should I be out of mind because I am out of sight? 
I am but waiting for you, for an interval, 
somewhere very near, 
just round the corner. 

All is well. 
Nothing is hurt; nothing is lost. 
One brief moment and all will be as it was before. 
How we shall laugh at the trouble of parting when we meet again!


Source: https://www.familyfriendpoems.com/poem/death-is-nothing-at-all-by-henry-scott-holland

What the poem gives us permission to do is carry on with the current life, secure in the knowledge that our loved ones are all around us. This is profoundly comforting.

And so I’m bubbling on with my new life. This week was full of contrasts. I shared an intimate dinner at the Pacific Dining Car with Hal Holbrook and his companions, Joyce and Juan. Hal is such a national treasure, such a passionate practitioner of the theatre, and I feel so fortunate to spend time with him, much of which is spent reflecting on the past and our Jimmie.

The next night, I had my first solo dining out experience at Fred 62, a diner on Vermont. Thursday, I’d witnessed the beautiful and collaborative care that Hal cherishes while enjoying a beautiful piece of halibut on a succotash of delicate vegetables. Last night, I felt my own strength and fearlessness in my new solo role while eating a crunchy grilled cheese sandwich with a cup of warm tomato soup. Then I wandered down the street to the Skylight Theatre to see Boni Alvarez’ America Adjacent. The on stage scenario he reveals is not illustrative of any outlined by Dr. Anne Basting, but Boni’s play is a full throated celebration of his heritage, and all of our yearning for the elusive American Dream.

Somewhere between the bubble machine and the sobbing, perhaps we’ll find it.

The Here After/Il Futuro

here·af·terDictionary result for hereafter
/hirˈaftər/
adverbFORMAL

1.
from now on.
“nothing I say hereafter is intended to relate to the second decision”synonyms:
from now on, after this, as of now, from this day on, from this time on, from this moment forth, from this day forth, from this day forward, subsequently, in future, in the future, hence, henceforth, henceforward; formalhereinafter
“nothing I say hereafter is intended to relate to the second decision”
noun
1.
life after death.
“suffering is part of our preparation for the hereafter”synonyms:
life after death, the afterlife, the life to come, the afterworld, the next world, the beyond; 

Shortly after my husband died, being a stage manager, I constructed what I entitled my hereafter list. Hopelessly pragmatic, my hereafter was not thinking about where Jimmie was in the spirit world, but how I could cope with the logistics of my life here, after his death. All the things that I had to do to notify various people and companies of his passing. Pretty much all of them required the death certificate and none of them was a simple one-step process.

Here’s what I mean. I cancelled his subscription to The New Yorker Magazine. As much as I loved the magazine, the arrival of a new issue each week was too much of a commitment, and combined with the daily arrival of two newspapers I was mentally unable to absorb, seemed wasteful and a poor use of resources. Everyone’s, not just mine. The cancellation itself was easy, but the result was a check, which I received about two weeks later, for $23.00 for the remainder of this year’s subscription. Great. However, it was made out to Jimmie. When I took it to the bank to deposit it, of course, I’d removed him from the accounts, so could no longer deposit it in the checking account. You get the picture. Cut to three months later, when I finally had a minute to call the New Yorker back and request a new check in my name, which I should have in…4-6 weeks. Done?

Now, I’m pretty plucky, if I do say so myself, so waiting 4-6 weeks is nothing. Like batting an eye. I know it will pass quickly. But imagine the list of tasks that every remaining spouse/partner faces:

Cancel credit cards, notify insurance company; write and place obituaries, notify doctors, pensions, mortgage company, suspend automatic-refills of medications, plan memorial, rejigger finances, go back to work, remain engaged in the world, redefine yourself in your singularity. It becomes a huge list of stultifying administrative and psychological tasks which can wear down even the pluckiest among us.

I thought about people who in addition to losing their spouse, become single parents charged with the 24-7 care of their children while rocking in the cradle of their own grief. I felt lucky to have a grown child with whom I can share grown grief. Through writing about my own grieving process, I discovered a wonderful blog about just such a father who lost his partner and remains the sole parent to an extraordinary child whose adventures he shares on a daily basis. Not sure how bloggers manage to meet a daily commitment to their readers, but I’m particularly impressed with this writer’s ability to share his circumstances with good humor and grace.

But I digress. Yesterday, I managed to accomplish one of the longer lasting administrative slogs from my hereafter list as well as a new, futuro-directed-this-is-for-you-Els one.

I finalized my divorce from B of A. As you may remember, this is something which I’ve been working on for some time. Well, as the post would indicate, a year ago today. And yesterday, I closed my accounts, canceled my credit card and walked away, feeling completely accomplished. I bought muffins to take to the office to celebrate. I was giddy with freedom as I shredded my debit card and remaining checks, while jamming the sticky sweet “breakfast cake” into my mouth.

The futuro task I accomplished yesterday was the purchase of a round trip ticket to Rome this summer. Yesterday, when the phrase Hereafter planted itself in my brain sometime in the middle of the afternoon, I googled “Hereafter in Italian” and discovered that sensibly, the phrase is “Il Futuro.” No shadowing of spirituality or afterlife, just a solid unwavering gaze into the future. And yet, this trip to Italy is layered with so much more that I relish the opportunity to explore and share. It’s both a look forward, and a peering backward to revisit my youthful strides into adulthood.

VDay – New Memories

In one of the last semesters, in one of the Meet and Greet circle up meetings in the Bing lobby, the SM organized the large group to introduce themselves by name and role in the production. The group was huge, more than 40 people between the cast, crew and designers, and the “Meet and Greet -Cute” feature was to state your favorite jam. I’ve never been a huge music fan, though I listen and know what I like, my memory for artists and names of tunes is slim to none. Fortunately, I was on the far side of the large circle, and had several minutes of private panic before they arrived at me.

I listen to podcasts. (had to hold for large collective guffaw). My current favorite is Hidden Brain.

This is true and sometimes I find myself practicing the pronunciation of the host’s name, Shankar Vedantem as though I’ll be asked to report who that is in the next circle up.

Can you tell I’m avoiding talking about the elephant in the room? Yes, my friends, it’s Valentine’s Day. The first Valentine’s Day without my primary Valentine. 

My WOW friend, who now has a good 2.5 months of Widowhood in the rearview mirror, says she’s studiously avoiding it… and me, when I texted her Happy Vday, with a stream of lurid hearts trailing behind. I’ve had a burst of loving messages from friends, all of which reinforce the new way I’ll need to celebrate Valentine’s Day.

A recent episode of Hidden Brain, called One Head, Two Brains, debunked pop psychology about the roles of the left and right brain. Rather than butchering the science here, I urge you to listen to it. But one of the things in the podcast was relevant in this new phase of my single life. They were discussing whether you are the type of person who goes to the usual restaurant and order the same thing, or someone who tries different things on the menu. Having been married to someone for whom the closure of first Joe Allen’s and then Orso in Los Angeles signaled the tragic end of his access to liver and onions, I am most familiar with the former. I fall somewhere between the former and latter and after listening to the podcast, will steer myself sharply to trying new things. It’s only right, right?

The host, psychiatrist Iain McGilchrist, described that the habitual orderer and what their brain rewards them for their habit. They rely on anticipation of a good meal as well as the expected satisfaction after the meal. That’s something I witnessed countless times in our marriage. It got to be a bit of a joke as we dined at restaurants closer to home in the later years, CPK being our go-to place, and Jimmie over and over ordered the pesto with shrimp, or the penne with chicken and sun dried tomatoes, which he would pick out of the dish and leave on the side. He was stolid in his ordering, never wavering from his choices.

But come to find out that the person who tries new dishes is more likely to form new memories, according to Gilchrist, and that’s what nudges me to that camp. Especially now when I’m in the business of forming new memories, and recovering antique memories of who I was before I was “Jimmie’s wife.”

Last weekend, faced with a weekend of no work, I imagined what I would do, visualized sitting on my couch at home watching TV, reading, and generally just missing Jimmie.  I chose instead, to jump in the car and head north to Los Osos in the relentless rain, to visit our niece, Martha, where we spent 24 hours chatting, doing a puzzle, taking brief but beautiful walks in the blustery central coastal climate.

Entitled Food Porn, this puzzle was challenging and very satisfying

The drive north was spectacular, the verdant hills off to my left and right, the rainbows appearing in my windshield, first on the left, then on the right.

Martha and I had long chats, ate the french pastries I’d stopped to pick up at Renaud’s in Santa Barbara, watched some TV, napped. It was bliss, and not from the habitual menu, so fulfilled my desire to make new memories.

Valentine’s Day 1.0 was spectacular. My sweetheart usually gave me a pretty bauble and always a sweet card. There was always way too much supermarket candy in the equation. It was a celebration of our long love and sure, I’m not thrilled to be celebrating VDay without my valentine.

Years ago, I had the privilege of stage managing Eve Ensler’s The Vagina Monologues at the Canon Theatre in Beverly Hills. Thirteen months of rotating celebrities, three amazing new women every two weeks, directed by Jenny Sullivan, produced by Jim Freydberg. It was an incredible gig, and one which I mourned its completion. The resilience and power of those women’s stories, onstage and off was a theatrical experience I won’t soon forget.

Last night, as a precursor to what I guess may be my new VDay routine, I attended a Visions and Voices event, A Conversation between Roxanne Gay and Amanda Nyugen. It was a stirring reminder of the ability of the heart and spirit to not only recover from violence, but also to rebuild and flourish. With grace and gentle empathy as embodied by Ms. Nyugen, and with sardonic power as exemplified by Dr. Gay. I left the auditorium, again, into the pouring rain, and walked with a bounce to my car.

So what did my new VDay look like? With a 9AM meeting at the Geffen Playhouse, I booked a 6:30AM workout at the new Sanctuary Fitness Pasadena outpost, followed by a beautiful shower and breakfast at the Urth Cafe. All by my lonesome. Ironically, it wasn’t the least bit lonesome. That’s called forming new memories. And lest you think I’ve jettisoned any of the old, please know that I have not.

At the Huntington Hotel – February 5, 2015

Happy Valentine’s Day!

Vulnerable Adult

When I see it in writing, and in light of this afternoon’s events, it doesn’t seem nearly as amusing as it did this morning on the WhatsApp chat with my friend Susan, freshly returned to her home in South Africa after what could only be called an appalling return trip.

She had come all the way from Cape Town for my husband’s life celebration. We’d had a wonderful weekend of visiting with family and other friends, and on Monday evening, somewhere between the plane’s arrival at Heathrow and her return to her flat in London, she realized she’d lost her passport. Or it had been pickpocketed. After doing what most of us would do in that situation, freak out, she searched the American Embassy website, found the earliest appointment available, (Friday at 7:45AM). She clearly wouldn’t make the flight to Cape Town scheduled to leave on Wednesday evening.

Susan is one of the most capable women I know, and by the time she had regaled my friend Bob and me with her story, she was well on the way to solving the problem. She described it as a generational problem which a quick call to her father in Florida straightened out.

His phrase “You’re an American” ringing in her ears, she walked into the American Embassy at 8:00AM the next morning, and out at 9:07AM with her replacement passport. Made the flight that evening, and “Bob’s Your Uncle.” Thanks, Dad!

Chuckling, she described herself as what some would call a “Vulnerable Adult” – further defined as the guy who leaves his car doors open, or his front door open, or his car keys in his car with the car doors open. When she used this term, I laughed in recognition.

I didn’t know it was an actual sociological term in the UK. “A person who is 18 years of age or over, and who is or may be in need of community care services by reason of mental or other disability, age or illness and who is or may be unable to take care of him/herself, or unable to protect him/herself against significant harm or serious exploitation.”

I laughed not because I recognize the description. Lately it describes me (in need of community care) but prior to that, our son. My husband and I raised him. He’s much better now than he was at 18. But I did just have to overnight his car keys to him that had been left in a bag left behind after his Dad’s life celebration last weekend.

First, I went to the UPS store, and as we prepared the package, the clerk looked skeptically at me and asked me a question.

Does this key fob have a lithium battery in it?

Umm, I don’t know.

Then I googled it.

Yes, it does have a lithium battery.

Then we can’t ship it from here. You’ll have to take this to the main UPS office tomorrow so that it can be sent certified mail. It might bring the plane down if it explodes.

What?

It wasn’t until the next morning when I was standing in the main UPS terminal that I realized if Chris hadn’t left the keys in his jacket pocket in the toy bag on the floor of my apartment, he’d have carried them onto the plane with 300 other people carrying lithium batteries in car key fobs in their jacket pockets. After pointing this out to the clerk, I got ridiculously peeved then when she still made a phone call to make sure I could ship the keys. $69.28 later, I left the UPS store, having successfully shipped the overnight package to my vulnerable adult and very much feeling like a vulnerable adult myself.

This afternoon I returned to my apartment between shows, and was walking through the lobby when I ran into one of my neighbors, Marilyn. Marilyn and her husband, Jerry are one of the nicest couples in the building. Jerry, who walked with a pronounced limp, instantly endeared himself to me about ten years ago, when we first moved into the building. Every morning, when I would walk our dog, he would double over and fuss over Lizzie, making her tail wag madly. He and Marilyn were always together – they were poll workers together at every election. She’s an audiologist, and drove what looked like a former police cruiser, and I would frequently see them early in the morning doing a car shuffle because they only had one parking space in the building. I think Jerry’s a teacher.

In fact, today may have been the first time I’d ever seen them apart. At this year’s Christmas party, I had been greeted by the two of them heartily and Marilyn had given me a big, reassuring hug and encouraged Jerry to do so, as well. (You may recall I left that party quickly, after losing it at a kindness uttered by another neighbor.) Now I saw Marilyn walking toward me in the lobby.

You and I have something in common.

I stopped walking, chilled, because I realized instantly what she was saying.

My husband died on Thursday. (two days ago) He was at work and they called me to say he was unconscious. Then they called again to say he was at the morgue.

What is going on in the world right now? I stopped and clung to Marilyn with a ferocity she certainly didn’t want. She wanted to keep moving. Looking over her shoulder, she almost accusingly said,

You threw yourself back into your work, didn’t you?

No, Marilyn, I took some time before going back to work. Please be kind to yourself. Take a little time off before you go back.

But I was talking to her back as she moved quickly toward the garage. I heard her muttering about losing it, needing to get back to work so she wouldn’t lose it. I recognized first hand her abrupt departure, her anxious gait, her restlessness, the vacancy of her missing companion. Reminded me of the forlorn looking pigeon on my porch this afternoon, huddled in the rainy downpour. It may not be technically accurate, but the term vulnerable adult suits many of us right now.

Jimmy Tomorrow

Today it’s been a month since Jimmie died.

Jimmie came home from the Neptune Society. I called them Monday morning, after making my chili for the Chili cook off, a festive and competitive annual event thrown by the production students. Then I called the Neptune Society and they said Jimmie was ready for me to pick him up. It’s been a strange few weeks of limbo, not really knowing where his corporeal body was. It was clear and wrenching from the moment he left that his spirit was no longer there. I’d experienced this phenomenon twice before and regardless of what I believe about the afterlife, I know that the human spirit is free of the corporeal at death.

I inveigled my colleague, Hannah, to drive with me to Sherman Oaks, where the Neptune Society is, on Ventura Blvd. and Woodman, a hop skip and a jump away from our home of 10 years in Valley Glen. It was right around the corner where Jimmie and I bought the really comfortable 7′ long yellow couch we had for years in our bonus room, and I was reminded of how many emotional touchstone points there are in a life and in a city when you start to drive around. 

Retrieving “him” was surprisingly quick, signing some papers, and receiving Jimmie’s cremains in a plastic box in what I noted looked like a Crown Royal bag. Others who saw the picture more kindly said he was clad in theatrical drapes fabric. It was emotional being reunited with him, after 15 days of limbo, not knowing or being able to visualize where his body was.

Hannah drove back to school, Jimmie “sitting” on the floor between my work boots. I reached down occasionally to caress the strings that closed the bag. When we got back, I eschewed the chili cook off – all I wanted to do was go home and have lunch with Jimmie. I didn’t think the students would appreciate my showing up with Jimmie to the cook off. Talk about traumatizing. 

Home we went. “We” had some clam chowder, Jimmie’s favorite, (No, I didn’t put any in front of him) and he rested across the table from me  in his seat, watching me do some administrative paperwork with the death certificates I had also picked up. Now that there was at least a physical representation of him in the apartment, I felt better, more grounded. Not alone.

Later that evening, I watched TV, cradling the blue box in the crook of my elbow, chatting with Jimmie about how crazy the news has been and about the prospect of the rain that would be coming later in the week. It felt good to be reunited.

Tuesday evening, I attended the holiday party in my building. I knew it would be difficult as it was the first time I’d gone alone at that event, and though I’m on a friendly basis with many of the home owners, social chit chat is a bit fraught right now. I lasted about 45 minutes at the party before I felt a deep, gutteral grief uncapping somewhere in my solar plexis. It happened, as it is likely to, when I was talking with someone who knew Jimmie and who was expressing concern about how I was doing. I felt my face reddening, and I blurted out, “I think I have to go now,” and quickly scurried away, the emotional magma rising with urgency when I hit the outside patio. Once I was in the elevator, it came, hot and fast, and by the time I got to the apartment, I was sobbing uncontrollably. I quickly undressed, putting on the fluffy white robe that a friendly lesbian couple had given to Jimmie and me on our 30th anniversary weekend at the Langham.

As I’d been warned by so many of my widowed friends, experiencing the grief is essential and necessary. I sat on the edge of my bed, looking over at the photo of Jimmie, one taken during The Ice Man Cometh (1986) of him as Jimmy Tomorrow, which, due to the angle of the camera, allows his eyes to follow me where ever I go in the room.  Behind him sat the comforting blue box, and  in front of them both, I sobbed and tried to gain my breath. Ten minutes went by until I was spent, and then I went to look for something else to do. 

Fortunately, one of my friends had noticed that we had set up a holiday puzzle in our office to work on at lunchtime, and knowing what had transpired in my life, had thoughtfully purchased two puzzles for me to take home. I had just brought the Broadway Musical Puzzle home that evening, and so cracked it open to begin working on it. 

I’ve done winter puzzles every year for as long as I can remember. They are always intrusive to our small living space, because they take over the dining room table. This time, underscored by Broadway show tunes, it was the perfect invasion of color and the graphic comfort and familiarity of all those show posters spread out on the table like so many old friends. I made a cup of tea, and before I knew it, three hours had gone by and it was time to go to bed. And I was soothed and ready to sleep, under the watchful and protective gaze of Jimmie Tomorrow.

The Grieving – Early Days

The second weekend was over, and behind me were  two lovely lunches with caring friends, Saturday at Fundamentals with Ellen, my neighbor and former spin friend from YAS, and Sunday, at Vespaio, with Rob, my fellow-theatre buddy which was followed by a visit to MOCA to see the exhibit, One Day at A Time, Termite Art.

This exhibit was particularly useful now. It featured the work of Artist and Cinema Professor Manny Farber, who created the term“Termite Art” to describe art that isn’t an identifiable stylistic school  focusing instead on the quotidian objects that shape our perceptions of our lives. It reminded me of the 17thcentury Memento Mori paintings, not at all stylistically, but metaphorically.

https://upload.wikimedia.org/wikipedia/commons/thumb/a/ae/StillLifeWithASkull.jpg/1920px-StillLifeWithASkull.jpg
Photo by Zak Kelley from the current MOCA Exhibit

Farber tips his 21st Century table tops up so they become flattened surfaces, but persists with three dimensionality in his objects. They aren’t as clear as the painting below in their meaning, but function as a visual blog of sorts, and not specifically about “live now because tomorrow we die” messages, but live now because we live now as unique and creative  individuals.

https://en.wikipedia.org/wiki/Memento_mori#/media/File:StillLifeWithASkull.jpg

This was an impactful and timely message for me to hear now, only a few days after the death of my husband.

“Farber championed art that was committed to observation, deep attention, and the unique temporalities of the quotidian. In his words, the production of termite art is a process of “journeying in which the artist seems to be ingesting both the material of his art and the outside world through horizontal coverage.”

https://www.moca.org/exhibition/one-day-at-a-time-manny-farber-and-termite-art

Last Monday’s “unique temporalities of the quotidien”  was the disposal of dead flowers. I had received so many beautiful floral arrangements, and they had begun to leer grotesquely at me, challenging me to disassemble them and rearrange the leftover flowers into something that will last a few more days.

Emotionally this is what I’m doing as well. Reassembling my heart and life into something that will last a few more days, weeks, months, years, decades, hopefully.

The task mundane, the smell redolent, I trimmed away the lilies, their faded flowers cascading into the sink, next the roses, buying more time with their sympathies and the beauty of their arrangements.

While I did this task, I wondered what my “tabletop” would look like now. Scattered documents from the Neptune Society, SAG-AFTRA, MisterRodgers USPS forever stamps and thank-you-for-your-thoughtfulness cards, an appointment card for Jimmie’s podiatrist whom I haven’t yet called to give the news, my checkbook, a typed list I’ve ironically entitled “The Hereafter List”on the table, my South African ceramic mug filled with chilling tea and milk. No dead birds, a theme of Manny Farber’s table tops, but that day, I wore the hummingbird earrings thoughtfully sent to me by my stepmother last Christmas, a talisman of our shared enthusiasm.

Over the past two weeks, I’ve heard from the many widows and widowers in my life, and they may not have any idea of how greedily I’ve drunk in their words and metaphors for their journeys.

Somedays you are in the boat, and somedays you are under the boat. I’ve found that the less you resist, the quicker the wave swells pass.

I’m sure you have many people, family and friends to be with you at this difficult time. The tough time comes when they all go back to their separate lives, and you realize your best friend is gone.

I know this is inevitable. I have been on the giving side of that unintentional abandonment. I know it will suck, but her words are true and it helps to prepare for that moment.

Remember that you are alive. He is gone, but you are still alive. 

Each of them has confessed: “I still talk to _______ every day.”

I’ve been timid to speak to Jimmie, feeling foolish to hear the shaky cadence of my voice in the quietude of our once shared home. Sitting on the couch yesterday, I looked over to where Jimmie used to sit from my chaise end of the couch and said, “This sucks, you know.”

So far, it is a one-way conversation, but that’s to be expected. He too, is busy getting his bearings in the new world where he finds himself. I’m sure there are happy reunions going on there, with his dear friends Jason and Steve, his brother Jack and sister Claire. All this spoken in the confusing maelstrom of my mind where I remind myself I don’t believe in the afterlife. 

I’ve begun re-reading Joan Didion’s “The Year of MagicalThinking,” a powerful book which I finally read last year because while I had thought I’d save it until after Jimmie was gone, I went on a Joan Didion bender and got to that book and thought to myself, “Jimmie is never going to die and I really want to read this book.” In the mind of a grieving widow, this equates into “by reading Joan Didion’s book I killed my husband.” I know how irrational it sounds and I don’t at all believe it to be true but I share these inner workings because this process is not unique to me. Millions of people lose loved ones every year. According to Quora, the estimate was 6, 775 per day in the U.S. alone.

Today I returned to work. Wearing a full-fledged head cold. One of my colleagues stopped by at 9:00AM with two boxes of Krispy Kreme donuts, the holiday version, and the classic.  Not that it matters but you may be proud to know that I ate the top left one and then we cycled them down to the shop classroom where they were happily ingested. I’m not sure what the message is when you get two dozen donuts where a box of 6 would have sufficed, but the arrival of the donuts was absolutely a joyous way to start a tough day. So, thanks PGA for reminding me I’m still alive.

The work right now is riding the grief like the wild bronco it is. Arranging my new table top is work for the future, but am inspired by Manny Farber’s joyously colored chaotic and richly decorated surfaces. I am also inspired by the way we humans make our way through the headwaters of grief and resurface anew, emotions perhaps rough, but memories intact. And one makes new memories, witnessed below.