With our self-inflicted publishing/90th Birthday party too close on the horizon (81 Days, 11 hours, 5 minutes and a rapid descent of seconds, according to the count down website I found), it has become necessary to press ahead (groan) with a self-publishing option. First, a word about the kindness of strangers regarding the manuscript I had sent out.
Yes, they were rejections, but such lovely rejections. I embraced dearly departed Caroline See’s advice and wrote thank you emails to the publisher at one publishing house who had responded that they didn’t publish memoirs or biographies, and yet took the time to read the book, responding with some editorial comments. Wow. Didn’t expect that kind of compassionate contribution to the process. It really buoyed my faith in humanity.
She also recommended with our impending deadline, that we look into self-publishing, and recommended CreateSpace, an Amazon off-shoot company that provides editing and publishing services from soup to nuts. Having been through the template-learning process with Lulu.com, the re-formatting to the new template was pretty painless, and yesterday, we had a conversation with an editor to choose the publishing features we’ll use.
It was extremely helpful and instructive to learn how the process will go moving forward. We are on an aggressive timeline so will need to make decisions about photos and editing to be ready 8 weeks before Dec. 1st. So we will be rocking it from now until the first week in October.
There are discussions we are still having about the arc of the book, how to keep the narrative uncluttered, and ways to make the title of the book A View From The Wings tie to another image Jimmie had come across in the mid 90s by a professor from Harvard. Last night at the end of a long week at work, I tried to listen and hear the importance of this imagery to him and understand how to make the connection tighter. We had a basic disagreement about how to do it, and anyone who knows us knows that disagreements are pretty far outside the boundaries of our experience. I think we’ve had one flat out fight back in the early 80s, consisting of irritation, not even harsh words. Our friend ,John Rubinstein, jokes that we are the most irritating people:
You two probably never fight because you are both so nice. (said with a slight exaggerated sibilancy on the word nice)
Jimmie and I have always agreed on things political, though this presidential election cycle has taxed our relationship a bit, Jimmie staunchly insisting on candidates other than the “I’m with her” candidate. It’s happened before when he voted for Ralph Nader. In fact it’s not the least bit unusual for him to be much further left than me. It’s something I’ve actually always loved about him. He keeps me politically honest.
We agree about the theatre. Usually our reviews of shows (of which we have seen hundreds together over the course of our married lives) are usually pretty aligned. Our taste in television rarely sparks discomfort. We look at each other when there’s too much blood, we reach for the mute button when there’s anything like torture on, or food porn, and we look at each other. So we’ve spent a lot of time looking at each other over recent years. Carl’s Junior commercials result in absolute facial fascination. And let me be clear, I’ve got no problem at all doing that; Jimmie seems quite contented to gaze at me as necessary.
But an aesthetic difference about imagery was tougher for me to accept, and I found myself feeling worn down and a bit saddened last night, that as we headed into the publishing process that (gasp) we were at odds. I chalked it up to being overly tired and we kissed and made up before going to bed because, well, you know the adage…
This morning’s light brought the “big pour” of concrete in the building site across the street from us, and while I spun at the DTLA YAS class, my pal Ellen and I watched the relentless cement trucks lining up on Hope Street to empty their contents into the big hole. The cement cranes arched over each other like the graceful necks of dinosaurs grazing on the savanna, and when I returned from my class, I ran to the balcony to watch as their necks dipped and pecked, filling the spaces between the rebar grid. To the northwest corner of the pour, I could see men smoothing the pavement at ground level.
I am such a construction geek. I come to it legitimately. It’s a blood relationship to concrete, my grandfather having owned the largest concrete company in Northeastern PA. This morning, when I was walking home, I passed two construction workers, both Dads, with their four children under 8 in tow, walking eagerly down to where they could show them the activity across the street. It is magical to see the beginning of the process, to the end, so clearly demonstrated north west of us, with the now lighted spire of the tallest building on the west coast. I (of course) attended that big pour as well, which was probably four times the size of our little pour going on in the neighborhood.
So what does all this have to do with self-publishing a book? I am well aware that our process of publishing this book has as much to do with the foundation of our marriage, our trust and respect of each other, the history of our dipping and pecking in the savannas together. As much if not more than the content or caliber of the actual book. I know that our foundation is solid, well-cured and will withstand whatever small editorial disagreements we have. We are both energized by the process, looking through pictures to include in the book, and examining the structure of the book. It is an accelerated process by virtue of the construction deadlines I’ve imposed on it. But I promise there won’t be any pictures of concrete pours in the final product!